XXL magazine released a few snippets from Kanye West’s La Dolce Vita cover story. Since I have a short attention span, I only posted stuff that I found entertaining/interesting.
Read the full piece here.
Timing is everything. Good timing is a sign of good taste. I’ve heard people say, “Kanye told the truth. Beyoncé should’ve won.” But that doesn’t mean it was the right moment for me to express those feelings. There are certain people that know how to tell you things at the perfect time for you to be able to accept them properly. I wasn’t that person then.
I wasn’t expecting the reaction I got. When I did things like that or the “George Bush doesn’t care about Black people” moment, it wasn’t a matter of being selfish, from where I stood. It’s more like I was being selfless—that I would risk everything to express what I felt was the truth. In this case, it was like I was driving a car and I needed to run this red light to make it to the airport, but by me running this red light, I ran someone over in the process, and that’s what people saw from a distance. Now I’m the biggest jerk in the world. Good morning, Kanye West, this is your life.
Everything is a form of my music, but the style of 808s & Heartbreak is better served by Drake and Kid Cudi than it is by me. I think they could both carry that sound better than I could, and also being that Cudi helped design that sound. That style of music is very nighttime, very streetlights. It’s, like, “streetlights glowing.” All that. It’s so funny, in a way. On one end, Drake probably sits and thinks, Wow, I want to make a song like “Power.” And I’ll sit around and be like, Man, I want to make a song like “Say Something. ”
Drake was the first thing that actually scared me and put pressure on me, because it was the first thing that was blatantly from a similar perspective and lane. When I feel pressure, I step my game up. So I believe that Drake made great music for people to love and enjoy, but he also forced me to step my game up, because I have to be Kanye West.