Bow Wow Reveals Why He Had A Melt Down & Trashed ‘Growing Up Hip Hop’ Set – I’m Not A F*ck*ng Child!

Bow Wow

Bow Wow Reveals Why He Had A Melt Down & Trashed ‘Growing Up Hip Hop’ Set – I’m Not A F*ck*ng Child!

Bow Wow is providing an explanation to his alleged massive blow up on Growing Up Hip-Hop: ATL. Last week, the 31-year-old reportedly went ballistic while at Da Brat’s probation release party. His outburst is said to have resulted in him damaging production equipment and three cameras. He shared a cryptic message the following morning of the incident to his Instagram Story.

As the former child rapper uses his social media to corroborate with his latest stunts in real life, he has extended an explanation to his actions at the party. In a lengthy post to his Instagram story, he says he was only trying to protect his girlfriend, Kiyomi Leslie. He writes,

“Truth – One of our staff members kept tryna ge tme to do this scene with Brat. I got tired of waiting (which was fine. Brat had a lot of folks to hug and so on…) and [I] wanted to walk Kuyomi to her car.”

He adds what triggered him to react the way he did,

“I was told I couldn’t walk her! The f*ck u mean she mine! Ima make sure she safe. I get outside and she gone. Someone gave her false info knowing it would piss me off which led top me cussing out production.”

Growing Up Hip Hop Atlanta

He alleges he isn’t respected the way he thinks he should be as executive producer,

“As  the EP of the show respect me as such. Don’t grab my f*cking wrist trying to stop me im not a f*cking child. Family always first.”

In another post, he demands the communication route between him and the rest of the execs on the show contact him via his manager.

“So this how we playing it. Mark, Tara, and Datari my business partners with the show can call me[.] Bosses talk to bosses. You,on set staff, go through my manager. If you need Bow Wow, It’s a process now for you to even speak to me.”

He concludes his rant by stating,

“Now let’s get this Wednesday started!”

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Authored by: Andre Palmer